The latest Micro Four Thirds Lumix GH7 Mirrorless Camera from Panasonic, which now features ProRes RAW internal recording, 32-bit float recording with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs. This flagship update to the powerful GH6 retains all the valuable existing features, including the same compact form factor, a 25.2MP sensor, 5.7K30 Apple ProRes 422 HQ internal recording, improved Phase Hybrid AF, a 13+ stop dynamic range boost, and 5-axis stabilization to accommodate indie film, pro/consumer photography, documentary, or even as a B-camera in high-end productions. 25.2MP BSI CMOS sensor with 13+ stop dynamic range boost with rich gradation for vibrant, detailed photos and videos. Upload still images and proxy videos directly to the Adobe Cloud Frame.io platform. Redesigned from the ground up, this sensor improves upon its predecessors in the GH Series with new components and software. It has an improved 13+ stops of dynamic range boost despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. 5.7K30 ProRes RAW HQ footage can now be recorded internally on the camera via a CFexpress Type B card, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices.
The SD slot can capture up to 10-bit 4K120 footage. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording. The GH7 is always ready to capture 48 kHz 24-bit with its built-in mic. The camera can capture the subject even in challenging scenes involving multiple subjects, delivering accuracy even in backlit or low-light environments. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane. In-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule. LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX's workflow compatibility. Panasonic recognizes the importance of shooting extended clips and has designed the GH7 to not have a maximum record time.
There's no need to stop shooting due to overheating. 3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise, which appears in only one of the three frames. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details like hair and wires to minimize moiré patterns. In addition to internal recording to the CFexpress card, the GH7 supports 12-bit raw video output in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI when recording to Atomos Ninja V and V+ external recorders in ProRes RAW. By shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. Autofocus remains available to actively make changes while recording up to 200 fps. Time-lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing. Though Lumix is known for stellar video production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual image stabilization, and continuous shooting up to 75 fps with an electronic shutter. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with the electronic shutter and AFS or 14 fps with the mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with the mechanical shutter or 7 fps with the electronic shutter. Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed. Both video and stills can be recorded and played back using an external SSD when connected via the USB-C port. This enables saving to larger capacity drives and working with media that immediately compatible with most post-production workflows. The free-angle 3" 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It features high contrast, high brightness, and high visibility even under strong sunlight. The body of the GH7 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card. An additional video record button on the face of the GH7 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones.
The Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens from Panasonic is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of color fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilizer system helps to minimize the appearance of camera shake for sharper handheld shooting. Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range. Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Panasonic GH7 Specs
Imaging
Lens Mount |
Micro Four Thirds
|
Sensor Resolution |
Actual: 26.52 Megapixel Effective: 25.2 Megapixel (5776 x 4336)
|
Image Sensor |
17.3 x 13 mm (Four Thirds) BSI CMOS
|
Sensor Crop (35mm Equivalent) |
Crop Factor: 2x *Additional Crop Occurs in Select Video Modes
|
Image Stabilization |
Sensor-Shift, 5-Axis
|
Built-In ND Filter |
No
|
Capture Type |
Stills & Video
|
Exposure Control
Shutter Type |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
|
Shutter Speed |
Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minute in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/32000 to 60 Seconds Up to 60 Seconds in Bulb Mode
|
Bulb/Time Mode |
Bulb Mode
|
ISO Sensitivity Range |
Photo 100 to 25,600 (Extended: 50 to 25,600) Video 100 to 12,800 (Extended: 50 to 12,800)
|
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot
|
Exposure Modes |
Aperture Priority, Auto, Manual, Program, Shutter Priority
|
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps)
|
Metering Range |
0 to 18 EV
|
White Balance |
2500 to 10,000K Presets: AWB, Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
|
Continuous Shooting |
Mechanical Shutter Up to 14 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG) Electronic Shutter Up to 75 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG)
|
Self-Timer |
2/3/10-Second Delay
|
Still Image Capture
Image Sizes |
4:3 100 MP (11,552 x 8672) *Via In-Camera Pixel-Shift 50.5 MP (8192 x 6144) *Via In-Camera Pixel-Shift 25 MP (5776 x 4336) 12.5 MP (4096 x 3072) 6.5 MP (2944 x 2208) 5 MP (1920 x 1440) 3:2 89 MP (11,552 x 7696) *Via In-Camera Pixel-Shift 44.5 MP (8192 x 5464) *Via In-Camera Pixel-Shift 22 MP (5776 x 3848) 11 MP (4096 x 2728) 5.5 MP (2944 x 1960) 5 MP (1920 x 1280) 16:9 75 MP (11,552 x 6496) *Via In-Camera Pixel-Shift 37.5 MP (8192 x 4608) *Via In-Camera Pixel-Shift 18.5 MP (5776 x 3242) 9.5 MP (4096 x 2304) 5 MP (2944 x 1656) 5 MP (1920 x 1080) 1:1 75 MP (8672 x 8672) *Via In-Camera Pixel-Shift 37.5 MP (6144 x 6144) *Via In-Camera Pixel-Shift 19 MP (4336 x 4336) 9.5 MP (3072 x 3072) 5 MP (2208 x 2208) 5 MP (1440 x 1440)
|
Aspect Ratio |
1:1, 3:2, 4:3, 16:9
|
Image File Format |
JPEG, Raw
|
Video Capture
Internal Recording Modes |
ProRes RAW/ProRes RAW HQ 5728 x 3024 at 23.98/24.00/25/29.97/50 fps [1 to 4.2 Gb/s] 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [1.1 to 4.2 Gb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s] H.264/MOV/MPEG-4 AVC 4:2:2 10-Bit 5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-Bit 4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] 3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] 1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s] 1920 x 1080i at 50/59.94 fps [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit 4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] 3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] 1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s] 1920 x 1080i at 50/59.94 fps [50 Mb/s] H.265 Long GOP/MOV 4:2:0 10-Bit 5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s] 4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s] 4096 x 2160 [150 to 300 Mb/s] 3840 x 2160 [72 to 300 Mb/s] 1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
|
External Recording Modes |
4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps 1920 x 1080i at 50/59.94 fps Raw 12-Bit via HDMI 5760 x 4320 5744 x 3024 DCI 4K (4096 x 2160)
|
Fast-/Slow-Motion Support |
Yes
|
Gamma Curve |
Panasonic V-Gamut, Panasonic V-Log
|
Recording Limit |
No
|
IP Streaming |
RTMP, RTMPS 1280 x 720 to 1920 x 1080 at 29.97p, 59.94p (4.0 to 16.00 Mb/s) RTMP, RTMPS, UVC/UAC 1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.00 Mb/s) 3840 x 2160 at 29.97p (4.0 to 16.00 Mb/s) RTP, RTSP 1280 x 720 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 50.00 Mb/s)
|
Built-In Microphone |
Stereo
|
Audio Recording |
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio
|
Interface
Media/Memory Card Slot |
Slot 1: CFexpress Type B Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
|
Video I/O |
1x HDMI (Unspecified Signal) Output
|
Audio I/O |
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
|
Power I/O |
1x USB-C Input
|
Other I/O |
1x USB-C Data/Monitor/Tether/Video Input/Output (Shared with Power Input)
|
Wireless |
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
|
Mobile App Compatible |
Yes: Android & iOS App Name: Panasonic LUMIX Sync/Lumix Lab Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
|
Global Positioning (GPS, GLONASS, etc.) |
GPS *Via Connected Smartphone
|
Monitor
Display Size |
3"
|
Resolution |
1,840,000 Dot
|
Display Type |
Free-Angle Tilting Touchscreen LCD
|
Viewfinder
Type |
Built-In Electronic (OLED)
|
Resolution |
3,680,000 Dot
|
Eye Point |
21 mm
|
Coverage |
100%
|
Magnification |
Approx. 0.76x
|
Diopter Adjustment |
-4 to +3
|
Focus
Focus Type |
Auto and Manual Focus
|
Focus Mode |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
|
Autofocus Points |
Photo, Video Contrast Detection: 315
|
Autofocus Sensitivity |
-4 to +18 EV
|
Flash
Built-In Flash/Light |
No
|
Flash Modes |
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
|
Maximum Sync Speed |
1/250 Second
|
Flash Compensation |
-3 to +3 EV (1/3 EV Steps)
|
Dedicated Flash System |
TTL
|
External Flash Connection |
Shoe Mount
|
Environmental
Operating Temperature |
14 to 104°F / -10 to 40°C
|
Operating Humidity |
10 to 80%
|
General
Battery Type |
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
|
Shoe Mount |
1x Hot Shoe
|
Tripod Mounting Thread |
1x 1/4"-20 Female (Bottom)
|
Material of Construction |
Magnesium Alloy
|
Dimensions (W x H x D) |
5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm
|
Weight |
1.8 lb / 805 g
|
Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens Specs
Focal Length |
12 to 60mm (35mm Equivalent: 24 to 120mm)
|
Maximum Aperture |
f/2.8 to 4
|
Minimum Aperture |
f/22
|
Lens Mount |
Micro Four Thirds
|
Lens Format Coverage |
Micro Four Thirds
|
Angle of View |
84° to 20°
|
Minimum Focus Distance |
7.87" / 20 cm
|
Maximum Magnification |
0.3x
|
Optical Design |
14 Elements in 12 Groups
|
Diaphragm Blades |
9, Rounded
|
Focus Type |
Autofocus
|
Image Stabilization |
Yes
|
Filter Size |
62 mm (Front)
|
Dimensions (ø x L) |
2.69 x 3.39" / 68.4 x 86 mm
|
Length at Maximum Extension |
4.72" / 120 mm
|
Weight |
11.29 oz / 320 g
|